Soundarya Lahari – Shloka 25 – Brahma, Vishnu, Shiva on the Shri Yantra & the Power of Her Worship!

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Intro., Sadhana, Siddhi
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coming to the 25th schloka of sari the
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theme for this shloka is triti
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Puja why the trimurti Puja where are
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those three mortis this image captures
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the essence of the shloka in some sense
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so just take a look at this um so this
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is of course the shantra we have looked
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at shantra meu which is the
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three-dimensional representation of the
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shantra we also knew that there are many
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parar devatas on each and every Junction
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of the shantra this particular schloka
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talks about the the worship of three
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mortis of the Trinity Brahma Vishnu and
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Shiva by the worship of the Goddess
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herself we’ll come back to this image
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now let us look at the prayoga of the
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shloka before we learn the chant and
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meanings chanting this schloka is used
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in the proga of p and
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adhikar p is teure is um it could be in
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one’s own Social Circles it could be in
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one’s job it is the stature the social
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presence in in the societal hierarchy
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and adhikara is power so pad and adikara
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are the siddhis that correspond to this
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the sadhan of the shloka which needs to
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be done Facing East for 45 days
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continuously as a Mandela chanting it
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1,000 times every single day either
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outside which takes a lot of time or as
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a manasika japa or also as an akaru japa
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the Nya that is to be offered here is
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Madu which is honey while visualizing or
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placing in front this yantra ingrained
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with the beja manra which is
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s all right with this prayoga which is
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mentioned in commentaries like
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lakaka let us now chant the schloka word
Chanting Practice
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by word please repeat after
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meay this here is na not n
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is pronounced by the flick of the tongue
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outwards this is the softer
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n the next word
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[Music]
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is
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BH
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Puja one more time Puja we see how this
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word play comes when we look at the
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layerwise
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[Music]
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meaning split
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as
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Vita the next word is slightly longer it
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is pronounced
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as the component words
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areat can further be split as UT andah
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but this is split as
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shashwat
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mulita UT
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now let us see how to chant the shloka
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oh before that we’ll do line by
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line notice how this dots on top are
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being pronounced based on half the
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consonant comes afterwards here it
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is so all of the consonant that come
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after the dot on top are in the same ver
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same line
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as so the dot on top is pronounced as
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[Music]
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everywhere if you have further doubts
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here you can join us on zoom and and
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clear those doubts later the next
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line
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makut
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[Music]
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[Music]
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V
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[Music]
Detailed Meanings
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to understand this beautiful schloka
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we’ll reorganize the words in the
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schloka into this layerwise
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Arrangement which looks like this once
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again just as a quick
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reminder this these are the key ideas
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that are being conveyed all the words
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are arranged vertically and also
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horizontally in their hierarchy of
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meaning the main idea is by this big
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pointer the supporting idea of this is
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one layer below and if there is another
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word which supports this word it is or
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phrase it is stagged one layer below
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that
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vertically so the key ideas there are
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three these are three main ideas we’ll
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understand what they mean and how they
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are adjective ified or described
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further firstly ad Shankar aara says yah
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that Puja worship Vita
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performed that worship which is
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performed performed
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where is your Char yo is form of char
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which is to your feet your the worship
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that worship which is performed of your
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feet Puja bhavit worship
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happens to the three deities also the
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three Gods
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daa Divine forms there is no English
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word we’ll look at it as Gods only to
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the three other gods if worship of your
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feet happens worship of the three Gods
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also happens what kind of gods threea
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Janan Guna is attribute quality Trias
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are the SAT rajas SAS of creation
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jananam are those Gods who are born from
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the three gunas who are Brahma Vishnu
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and Shiva with satwa rajas and tamas
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respectively so what this these two
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phrases means is when your worship
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happens y
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pu of your pair of
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feet the three of the three Gods who are
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born out of the three Tendencies Puja
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worship happens automatically
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why
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because this tah is an interesting play
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of words it both conveys because in in
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both its senses we’ll see what that
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means because they Nik near nikata means
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near situated because they are situated
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near near near to what Tav sh sh is an
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addressal of the Goddess oh goddess
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Shiva is the Lord Shiva is the goddess
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both of them are known by the same name
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where the sound itself means that which
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is
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auspicious is that which is
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auspicious so both of them are named
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Shiva by the sound so just the short
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sound is him and the longer sound is her
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so Shiva is her so that is why when you
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say shivaan
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it is addressing them both at once
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anyway to you oh goddess they situated
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nearer where closer to you
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where there situated near manip literal
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meaning of p is a seat manip is
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literally a jewel encrusted seat a Beed
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seat or a thr
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what kind of Throne is
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thatana is upwards vahana is carrying of
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what your P
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feet of the belled throne on which your
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feet
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rest so the what is that b Throne on
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which her SE her feet rest that is the
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shantra itself in
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symbolism how are they situated there
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shashan shashan is the same word from
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which shashwat comes always eternally
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constantly mulita is mukula is a bud
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with their Mula is a
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folded Palm folded Palms hands brought
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together is
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mul UTA and that folded hands raised
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upwards Makuta are above their crowns
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Makuta is a crown so with their folded
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hands raised above their
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crowns these three deities are situated
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near to you oh goddess and that is why t
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or because of which due to which when
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your worship happens their worship also
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happens
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automatically because your worship is
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happening they are at your feet so when
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offerings are being offered to you they
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are also being offered uh those same
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things the same symbolism can be very
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beautifully
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the very we look at all these questions
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at the end
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shendu write it down um because these
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four Dees that you see are at the very
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base layer the bottommost layer of the
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Shri yantra of the nine layers
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enclosures of the shantra three mortis
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along with Surya are present at the Four
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Corners and this is that manip that is
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being disc described so when the goddess
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is being woried trim morti Puja also
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happens effortlessly
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simultaneously this is the essence of
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the 25th schloka which is chanted this
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tray
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shashan mulita
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[Music]
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Mak

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